CARLA BRYSON by Lorna Fitzsimons
Photo: Lorna Fitzsimons
Ballygood, Blackstown Road, Crumlin, Northern Ireland BT29 4RB
Phone: 028 9447 0634
Mobile: 07786 815158
Belfast, Northern Ireland, United Kingdom
Greater London, England, United Kingdom
County Dublin, Ireland
Height:5'3" (160cm)
Playing Age:16 - 30 years
Nationality:Irish, British
Eye Colour:Blue
Hair Colour:Red/Titian
Hair Length:Long
Voice Quality:Bright
Voice Character:Friendly

About me:

Carla has recently completed a number of intensive workshops with Frantic Assembly practitioners and is keen to work further in physical theatre and devising.

Television Stage Workshop Rehearsed Reading Short Film Radio Further Credits
2018, Television, Margaret Porcher, The Woman in White, BBC/Origin Pictures, Carl Tibbetts
2012, Television, Voice Artist, Line of Duty, BBC
2019, Stage, Multiple, The Right Twig, Fighting Words / Lyric Theatre Belfast, Finn Kennedy
2018, Stage, Ruth Gallaher, A True and Attested Account..., Partisan Productions, Fintan Brady
2018, Stage, Eliza Hickman, New Playwrights Showcase: 'Frances Brown: In my Mind's Eye', Lyric Theatre Belfast, Philip Crawford
2017, Stage, Ma, Blackout, Lyric Theatre Belfast, Philip Crawford
2016, Stage, Multiple, Fireworks, Tinderbox Theatre Company, Patrick O'Reilly/Hanna Slattne
2015, Stage, Thea Elvsted, Hedda Gabler, Guildford School of Acting, Tom McClane
2015, Stage, Lady Tourist (Voice Over), I Never Get Dressed Till After Dark On Sundays, Guildford School of Acting CP&D, Jin Chen
2015, Stage, Rosalie Wells, The Children's Hour, Guildford School of Acting, John Gillett
2015, Stage, Elizabeth Proctor, The Crucible, Guildford School of Acting, Yolanda Vasquez
2015, Stage, Mole, The Wind in the Willows, River Road Theatre, Bryan Hodgson
2014, Stage, Quince, A Midsummer Night's Dream, Guildford School of Acting, Jaq Bessell
2013, Stage, Duckling Smith, Our Country's Good, Lyric Theatre Belfast, Philip Crawford
2012, Stage, Arkadina, The Seagull, Lyric Theatre Belfast, Kieran Lagan
2020, Workshop, Participant, Physical Theatre and Devising, Frantic Assembly, Maggie Bain
2019, Workshop, Participant, Devising and Movement, Frantic Assembly, Jess Williams
2019, Workshop, Participant, Inclusive Performer Training, Replay Theatre Company, Andrew Stanford
2018, Workshop, Participant, Acting & Voice with Donna Soto-Morettini, Lyric Theatre Belfast, Donna Soto-Morettini
2017, Workshop, Participant, Voice & Text with Michael Corbidge, Lyric Theatre Belfast, Michael Corbidge
Rehearsed Reading
2018, Rehearsed Reading, Eliza Hickman, Frances Browne: In My Mind’s Eye, Lyric Theatre Belfast, Philip Crawford
2018, Rehearsed Reading, Various, NI Screen: New Short Focus Industry Read, NI Screen, Multiple
2016, Rehearsed Reading, Prime, The Generator: Dancing at the Disco at the End of the World, Replay Theatre Company, Janice Kernoghan
Short Film
2016, Short Film, Girl, Anywhere, QuothMeFilms, Karen Quinn
2016, Short Film, Poppy, Lady Death, QuothMe Films, Karen Quinn
2016, Short Film, Millie, No Great Artist, QuothMeFilms, Karen Quinn
2015, Short Film, George, Silent Study, Top Group Productions, Eleanor Green
2012, Radio, Kathryn, Eve's Room, Kaleidoscope, Kerry Rooney
Further Credits
2020, Internet, Woman, Head Above Water, Planet Ogo Media, Alec Liddle
2019, Corporate, Claimant, Department for Communities Self Harm Video, Redcap Productions, Sean Duncan
2018, Site Specific, Evil Spy, Merchant Quest, Big Telly Theatre Company, Zoë Seaton
2016, Comedy, Pharmacist, Beginners Guide, Kaleidoscope, Kerry Rooney
2016, Educational, Ophelia, Quoth Shakespeare, QuothMe Films, Karen Quinn
2015, Educational, Nurse/Witch, Quoth Shakespeare, QuothMe Films, Karen Quinn
2014, Multimedia, Voice 2, Research Project, CVSSP, University of Surrey, Philip Coleman
2014, Recording, Voiceover (Lucy), EXPERIMENTAL AUDIO SCRIPT, Dept. of Psychology, University of Surrey, Adam McNamara
2013, Promo, Fixer, Fixers NI Promo, Fixers UK, Tim Austin
2011, Musical, Shock, The Nightmare Before Christmas, Kaleidoscope, Kerry Rooney
2011, Site Specific, Chorus, Guidelines for a Long and Happy Life, Tinderbox Theatre Company, Michael Duke


Accents & Dialects:
(* = native)
American-California, American-New York, American-Southern States, American-Standard, Belfast*, Cockney, Cork, Donegal, Dublin, Galway, Heightened RP, Irish-Northern*, Irish-Southern, London, Londonderry, RP
(* = Native/Fluent)
Music & Dance:
(* = highly skilled)
Laban, Mezzo-Soprano, Polka, Recorder, Singing (general), Tin Whistle, Violin
Performance:ADR-Additional Dialogue Recording, APC Basic Broadsword, APC Basic Knife, APC Basic Rapier & Gauntlet, APC Basic Single Sword, APC Basic Unarmed, APC Intermediate 18th Century Small Sword, APC Intermediate Unarmed, Audio Books, Audio Drama, Children's Theatre, Dubbing, Immersive Performance, Interactive Performance, Laban Training, Mask, Meisner Technique, Outdoor Performances, Poetry Reading, Promenade Theatre, Radio Drama, Verbatim Theatre, Viewpoints, Voice Acting, Voice Over
(* = highly skilled)
Callisthenics, Cycling, Resistance Training, Rollerblading, Running, Stage Combat, Swimming, Weight Training, Yoga
Other Skills:Barista (experienced), Bartender, Computer Literate, Editing/Proof-Reading (experienced), IT Literate


Guildford School of Acting