News & Advice
Guidance from the AYPA for parents, agents and professionals to navigate social media responsibly while prioritising the safety and well-being of young performers. Social media is on the rise and as a result, you may feel pressure as a parent to create a social media profile for your child to help promote their acting careers. […]
From searching for performers to making connections, industry professionals shed some light on how they use Spotlight. If you’re a performer, you’re probably aware of how Spotlight can be used to promote your acting career. Your Spotlight profile is the perfect place to display all the useful information that will make casting directors want to […]
Tips for making your Spotlight profile the best it can be to help casting directors and project makers discover you. If you’re new to Spotlight – or feel that your profile isn’t working for you and you’d like to improve it – this is the episode for you. We’re joined by Mel Brown – our […]
How to become an actor in Australia, find auditions and acting jobs, and how UK performers can apply to live in Australia. If you’ve ever dreamed of stepping into the spotlight Down Under, you’re in for a treat. Australia’s artistic landscape is as diverse as its geographical landscape. With renowned drama schools, thriving theatre scenes […]
Industry professionals explain the things they look out for in up-and-coming actors, from special qualities to new and unique takes on well-known characters. The acting world can be extremely competitive, so understanding exactly what agents and casting directors are looking for in new talent is key to standing out from the crowd and getting yourself […]
‘The Ministry of Ungentlemanly Warfare‘ actor Danny Sapani tells us about auditioning for ‘Killing Eve’ and ‘Penny Dreadful’, being recognised in public and his top acting tip. Acclaimed actor Danny Sapani has an impressive list of stage performances under his belt. His extensive theatre work includes playing ‘Brutus’ in Julius Caesar at Shakespeare’s Globe, ‘Jason’ […]
