Category: The Industry
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Radio and Voice Studio Setups Explained
Award-winning audio writer, director and producer Jack Bowman explains the various types of radio and voice studio setups performers may encounter. Audible Studio Setup Audible like to cast big names for their audio output. If you do work for Audible, you will likely receive the script in advance however it’s not uncommon for the rest…
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How to Negotiate
Scotwork director and senior consultant Richard Savage shares his secrets to make us all better negotiators. Negotiation is an art, not a science. Richard Savage Negotiating is a key part of any agent’s role and not something you as a performer should be clueless about either. We can often feel powerless in the industry when…
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Working in Radio and Audio Drama
As the opportunities in radio and audio drama grow, performers can feel confused as to what skills are required. Award-winning audio writer, director and producer Jack Bowman gives his insight and explains industry jargon. Getting cast Voice agents are great to have but audio producers and independent production teams don’t always rely on them to…
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Telling Stories through Puppetry with Richard Hay
Spotlight talks with Richard Hay, puppeteer and co-creator of Sharklegs Theatre Company, about puppetry, going viral, and taking Sharklegs’ new, Amazon-exposing show, Fulfilment, to the Edinburgh Fringe. Hi Richard! How did you first get into puppetry? I graduated from drama school a long, long time ago, and I did a course at East 15 [where]…
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Vaulting the Pond
The pull and prestige of appearing in British Theatre is very strong: advice on moving from the US to the UK for work British theatre holds a special spot in theatre actors’ hearts, especially for our fellow English-speakers across the Atlantic Ocean. Even though they have Broadway and their various prestigious regional centres, Americans dream…
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Emma Ashton on the Commercial Casting Process
Casting director Emma Ashton gives us her insight into the way commercial castings come about… Casting director and member of the Casting Directors Association (CDA), Emma Ashton, talks to Spotlight about how commercial castings come about, and what happens behind the scenes. Perfect insight for any actors looking into commercial castings! Take a look: Find…
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10 Performers Made Famous at the Fringe
Spotlight’s pick of 10 performers who first found fame thanks to the Edinburgh Fringe Everything can change after the Edinburgh Fringe. Perform the right show in the right way with the right people in the room, and you could follow in the footsteps of countless others who have gone on to illustrious careers. Your show…
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5 Reasons to Go to the Edinburgh Fringe
If you’re on the fence, here’s why it’s time to beg, borrow or steal a ticket to the Edinburgh Fringe… Every year, you probably hear about all those friends and loved ones on a pilgrimage to that little thing known as the Edinburgh Fringe. You don’t need us to tell you that taking a show…
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A Producer’s Advice to Actors with Greg Brenman
A producer’s insight into what makes an actor stand out! Greg Brenman, producer behind Billy Elliott, the Secret Diary of a Call Girl, the Honourable Woman, Peaky Blinders, and Black Earth Rising (amongst many others!) talks to Spotlight about producing, stories he’s drawn to, what he expects from actors on set, assembling a great team, and…
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Am I Typecast? Or Do I Typecast Myself?
By John Currivan A while ago I was looking at my CV and felt very fortunate to have worked on a wide variety of roles in a wide variety of projects. Then, while smugly patting myself on the back, the similarities of some of these roles dawned on me like a warm shower growing gradually cold…