Tag: theatre

  • Making UK Theatre Your Home

    Making UK Theatre Your Home

    Canadian-born performer Lindsey Huebner shares advice for any foreign-born actors who want to get into the UK theatre scene. No one is saying that the UK theatre industry is an easy place for anyone to make a decent living, but what if you have the added challenge of being an actor who comes from away?…

  • Making and Performing Comedic Work with Dave Hearn from Mischief Theatre

    Making and Performing Comedic Work with Dave Hearn from Mischief Theatre

    Making and Performing Comedic Work with Dave Hearn | Spotlight Podcast. We discuss Dave’s journey with Mischief Theatre, from the early days of performing in rooms above pubs, right through to the West End transfers and TV commissions that followed. A 54-minute listen or a full transcript of the episode, can be found below. Episode…

  • Techniques for Online Rehearsed Readings

    Techniques for Online Rehearsed Readings

    Performance and technical tips for acting in rehearsed readings online. Performing in a rehearsed reading can be challenging at the best of times. Rehearsal periods are incredibly short and acting with a physical script in hand can take some navigating. But performing in a rehearsed reading on a virtual platform presents actors with different responsibilities.…

  • The Spotlight Guide to Idents

    The Spotlight Guide to Idents

    Demystify the audition process with our guide to filming professional idents and full-length shots. An ident – sometimes called a slate – is a purely technical part of the audition process in which you state your name, your agent (or that you’re self-represented) and occasionally a few other details. It’s used by casting directors to…

  • What Actors Need To Know About R&D

    What Actors Need To Know About R&D

    Actor and writer Naomi Joseph demystifies the research and development (R&D) process for actors. We can be playing with balloons in the morning and researching the banking crisis in the afternoon Kat Joyce Co-artistic Director at Tangled Feet The Research and Development process (R&D) is one of my favourite parts of being an actor. It’s…

  • Using Costume to Create Characters

    Using Costume to Create Characters

    Actor Fiona Rodrigo discusses the power of costume when building a character and shares what’s in her on-set kit bag. The accents and fit of a costume are incredibly helpful for creating character. For me, the cut over the shoulders and what type of shoes the character wears are particularly helpful in bringing out a…

  • Success from Stage to Screen

    Success from Stage to Screen

    Performer Tahlia Norrish shares her career journey from stage to screen to inspire young performers who want to make the transition. The purpose of acting is to effectively communicate a story through character, but stage and screen are distinctly different means of doing so. One of the greatest delights of being an actor is the…

  • Working with British Sign Language Consultants

    Working with British Sign Language Consultants

    Demystifying the role of a British Sign Language Consultant and how they support the creative process of performances that involve deaf characters or sign language. Having a BSL consultant on your production will truly make a positive change to the attitudes towards deaf people by including BSL and deaf characters authentically Since the launch of…

  • Eva O’Connor on Writing Your Own Work

    Eva O’Connor on Writing Your Own Work

    Performer and writer Eva O’Connor shares her experience writing award-winning plays and developing one of her works into a BBC Three drama. People often ask me whether I prefer acting or writing. They’re always dying to know when I’m going to choose between the two of them. Both questions are up there with the classic: “how…

  • Why Did I Choose to Be a Swing?

    Why Did I Choose to Be a Swing?

    Performer Jaye Elster shares her experience performing in a role that is often misunderstood, that of a swing. When the unpredictable nature of live theatre strikes, a swing’s priority automatically falls to the show’s function above their own performance. What Is A Swing? In theatre, the most literal translation of the saying “the show must…